News
Loam October 2025
Miró and the United States
Presented at the Fundació Miró from October 10, 2025, to February 22, 2026, the exhibition Miró and the United States sheds light on a little-known chapter: the role played by the United States in the life and work of Joan Miró. To contribute to the exploration of this artistic dialogue, the Fondation Gandur pour l’Art is lending a work by American artist Joan Mitchell.
Loan October 2025
The Middle Ages of the 19th century : Creations and forgeries in the decorative arts
Exhibited from October 7, 2025, to January 11, 2026, at the Musée de Cluny – National Museum of the Middle Ages, the exhibition “The Middle Ages of the 19th Century: Creations and Forgeries in the Decorative Arts” invites visitors to explore medieval art through the lens of the 19th century—between rediscovery and reinterpretation. The Fondation Gandur pour l’Art is contributing to this exhibition through the loan of three works.
October 2025
Maria Helena Vieira da Silva
Anatomy of Space
After a first stop at the Peggy Guggenheim Collection in Venice, the Guggenheim museum in Bilbao welcomes from October 16, 2025, to February 20, 2026 a major retrospective dedicated to Maria Helena Vieira da Silva (1908–1992), a distinctive voice on the European art scene in the twentieth century. With the loan of two works, the Fondation Gandur pour l’Art contributes to this reappraisal of an oeuvre shaped by exile, memory, and the construction of pictorial space.
October 2025
Les Arts décoratifs (II), Savoir‑faire et art de vivre
The Decorative Arts (II): Savoir-faire and the Art of Living offers an in-depth exploration of European decorative creation during the Early Modern period (16th–18th centuries), through a major selection of furniture, objets d’art, and clocks preserved in the collections of the Fondation Gandur pour l’Art.
Loan September 2025
Soulages, another light
From 17 September 2025 to 11 January 2026, the Musée du Luxembourg (Paris, FR) is dedicating an exhibition to the work on paper of Pierre Soulages, which has been less often shown than the paintings on canvas, and rarely brought together in separate exhibitions, yet which constitute an essential part of understanding his painting. The Fondation supports the show by lending one ink on paper.
