Advertisements, comic strips, bold colours – and women : these are defining elements of Pop Art in the 1960s and early 1970s. The role of women in Pop Art was twofold, perhaps even ambiguous. They embodied a stereotypical, desirable ideal, while also emerging as symbols of liberation. The exhibition focuses on Europe, where the movement was often more outspoken and socially engaged than its American counterpart.

Many European artists appear to be more personal and socially engaged in their practice. Some mock prejudices and stereotypes, while others are openly critical, using their art to challenge the status quo.

It was above all female pop artists who made this stand, helping to spark the second wave of feminism in Europe with their art. The contraceptive pill had only just been introduced in 1964, and in some European countries, married women were still stripped of legal capacity. The reality faced by women artists in a predominantly male art world gave rise to personal statements – expressions of defiance against societal constraints and sexism.

This major exhibition at MORE presents an extensive selection of paintings, sculptures and collages by well-known artists, including 14 works from the figurative collection of the Fondation Gandur pour l’Art, with 5 women artists featured : Christa Dichgans, Sue Dunkley, Émilienne Farny, Kiki Kogelnik, and Niki de Saint Phalle.